Kite

Kite (Dr. Suzanne Kite) is an Oglála Lakȟóta artist whose scholarship and artistic practice engages with contemporary Lakȟóta philosophy through research-creation, computational media, and performance. Often working in collaboration with family and community members, her highly interdisciplinary practice is most recently focused on body interfaces for machine learning driven performance, as well as sculptures and interactive installations generated by dreams.  

Kite’s recent solo exhibitions include Wičháȟpi Owihaŋke Waníča Kiŋ (Infinite Collapsing Star), Bockley Gallery, Minneapolis, MN; Kite and Wíhaŋble S’a Center: Dreaming with AI, Museum of Contemporary Native Art, Sante Fe, NM; and List Projects 31: Kite, MIT List Visual Arts Center, Cambridge, MA (all 2025). Recent biennial presentations include the Thailand Biennale Phuket, Paiz Art Biennale, and Shanghai Biennale. A selection of recent group exhibitions include All Watched Over By Machines of Loving Grace, REDCAT, Los Angeles, CA (2024); The Land Wants You, Whitney Biennial film program, New York City, NY (2024); Indian Theater: Native Performance, Art, and Self-Determination since 1969, CCS Bard Hessel Museum, Annandale-on-Hudson, NY (2023); and Who can think, what can think, Te Tuhi, Auckland, Aotearoa (2023). Kite’s performances have recently been hosted by Center for Art, Research, and Alliances (CARA) at the 36th Bienal de São Paolo; House of World Cultures (HKW), Berlin; Serpentine Gallery, London; Remai Modern, Saskatoon; and Vera List Center, New York City. 

Kite’s research is widely published including in The Journal of Design and Science (MIT Press), with the award winning article, “Making Kin with Machines,” co-authored with Jason Lewis, Noelani Arista, and Archer Pechawis (2018). Recent awards include the Creative Capital Award, Forge Fellowship, and USA Fellow Award (all 2023), and Creative Time Open Call (with Alisha B. Wormsley) (2022–2023). 

Kite holds a BFA in music composition from California Institute of Arts, Los Angeles, CA; an MFA from Milton Avery Graduate School of the Arts at Bard College, Annandale-on-Hudson, NY; and a PhD in Fine Arts from Concordia University, Montreal. Currently at Bard College, she is Codirector of Abundant Intelligences, Director of Wihanble S’a Lab, Distinguished Artist in Residence, and Assistant Professor of American and Indigenous Studies. Kite is an enrolled member of the Oglala Sioux Tribe. 

 www.kitekitekitekite.com

Kite, Wičháȟpi Wóihaŋbleya (Dreamlike Star),
2024. Multimedia environment with video, sound,
stones, mirror; 21:16 min. Installation view: List
Projects 31: Kite, MIT List Visual Arts Center,
2025. Courtesy the artist. Photo: Dario Lasagni
Kite, Wičháȟpi Wóihaŋbleya (Dreamlike Star), 2024
Video (21:16 min), sound, stones, mirror installation view, List Projects 31: Kite, MIT List Visual Arts Center, 2025
Courtesy the artist. Photo by Dario Lasagni 
a question, 2025
beadwork and embroidery on deer hide, metal armature
41 x 36 x 5.5 inches
Installation view: Kite: Wičháȟpi Owihaŋke Waníča
Kiŋ (Infinite Collapsing Star), Bockley Gallery,
2025. Photo by Rik Sferra
Installation view: Kite: Wičháȟpi Owihaŋke Waníča Kiŋ (Infinite Collapsing Star), Bockley Gallery, 2025.
Photo by Rik Sferra
Wichahpih’a (a clear night with a star-filled sky or a starlit night), 2020
screenprint with holographic ink on black matte paper
18 x 18 inches
edition of 30
published by Flash Flood Print, Tulsa, OK
uŋȟčéla wílečhala, for Nathan Young (Waxing
Crescent Peyote Moon), 2020
silver thread and beads on black leather
39 × 33.5 inches
uŋȟčéla wílečhala, for Nathan Young (Waxing Crescent Peyote Moon), 2020
silver thread and beads on black leather
39 × 33.5 inches
cone of bright metal, the size of a die (2), 2025
crystals, rocks, glass beads, metal beads, foam, adhesives, luster dust
3.75 x 3 x 5 inches
Listener, 2018
braiding hair, handmade electronics, machine
learning decisions, prairie sage, studio trash
72 inches
Listener, 2018
braiding hair, handmade electronics, machine learning decisions, prairie sage, studio trash
72 inches
Listener, 2018
performance in Linz, Austria
15:28 min
Photo by vog.photo, Linz, Austria 
Kite and Devin Ronneberg
Ínyan Iyé (Telling Rock), 2019
song, power, sound, processors, machine learning
decisions, handmade circuitry, gold, silver, copper,
aluminum, silicon, fiberglass
dimensions variable
Kite and Devin Ronneberg
Ínyan Iyé (Telling Rock), 2019
song, power, sound, processors, machine learning decisions, handmade circuitry, gold, silver, copper, aluminum, silicon, fiberglass
dimensions variable
Installation view, Kite and Wíhaŋble S’a Center:
Dreaming with AI, IAIA Museum of Contemporary
Native Arts, 2025. Photo by Sallie Wesaw Sloan,
courtesy IAIA Museum of Contemporary Native
Arts
Installation view, Kite and Wíhaŋble S’a Center: Dreaming with AI, IAIA Museum of Contemporary Native Arts, 2025
Courtesy IAIA Museum of Contemporary Native Arts. Photo by Sallie Wesaw Sloan
Pȟehíŋ kiŋ líla akhíšoke. (Her hair was heavy.),
2019
performance / digital video from VHS
18:26
edition of 5 + 1 AP
Pȟehíŋ kiŋ líla akhíšoke. (Her hair was heavy.), 2019
performance / digital video from VHS
18:26 min
edition of 5 + 1 AP
Kite and Alisha B. Wormsley
Cosmologyscape, 2024
cement, glass, dreams
dimensions variable
Installation view, presented by Creative Time at
The Plaza at 300 Ashland, Brooklyn NY.
Kite and Alisha B. Wormsley
Cosmologyscape, 2024
cement, glass, dreams
dimensions variable
Installation view, The Plaza at 300 Ashland.
Presented by Creative Time, Brooklyn, NY