The verbs preserve and reserve share intentions to keep, save, and protect. Their prefixes speak to distinct safekeeping practices in relation to time: to preserve enacts care and continuity of ancestors’ gifts in the ongoing present, while to reserve considers what should be offered to future ancestors. P/RESERVE brings together new and recent works by Audie Murray (Métis and Cree / Flying Dust First Nation) and Nico Williams (Ojibwe, Aamjiwnaang First Nation) whose respective contemporary beading practices honor ancestral knowledge that has always been personal, relational, and responsive to change. From fully beaded sculptures to multimedia installations, the exhibition centers how beads’ ceremonial, utilitarian, and social functions are activated and extended, disrupting colonial notions of care to amplify sovereign expressions of p/reservation today.
P/RESERVE marks the first exhibition for both artists in the Great Lakes region south of the Medicine Line, and is their second two-person presentation following Eat It Up (2024), The Bows, Mohkínstsis / Treaty 7 Territory (Calgary, Alberta, Canada). Both artists participated in critically acclaimed recent exhibitions including Indian Theater: Native Performance, Art and Self-Determination since 1969, Hessel Museum of Art, Munsee and Muhheaconneok lands (Annandale-on-Hudson, New York, USA) (2023), and Radical Stitch, The MacKenzie Art Gallery, oskana kâ-asastêki / Treaty 4 Territory (Saskatchewan, Regina, Canada) (2022). Their respective exhibition and award histories are extensive and include Canada’s most prestigious contemporary art prize, the Sobey Award, for which Murray was long-listed and Williams won in 2024.
Opening-Day Events September 11, 2025
Artist Walkthrough, 5:30–6:00 pm
Reception, 6:00–7:30 pm

Venus de Walmart, 2025
10/0 Japanese glass cylinder and 24 karat gold beads, thread
15.25 x 11.5 x 5.25 inches
Photo by Rik Sferra

The Chain, 2023 (detail)
glass seed beads, metal beads, thread
65 x 1 x 1 inches

It’s Not Just Me, 2025
costume gloves, glass beads, French steel cut beads, tin, horse hair, Michif woman’s hair, sewing needles, artificial turf
30 x 75 inches installed

Net Charm; >, 2025
glass beads, thread, copper, reutilized beadwork from an unknown artist
8 x 13 x 3 inches
Photo by Rik Sferra

Net Charm; <, 2025
glass beads, thread, copper, reutilized beadwork from an unknown artist
8 x 13 x 3 inches
Photo by Rik Sferra

Zane’s Game (sonic 2), 2025
CT1 plastic beads, Sega game case & cartridge, thread
7 x 5 x 1.25 inches
Photo by Rik Sferra

Tintin en Amerique, 2025
11/0 Japanese glass cylinder beads on braided/heat-sealed polyethylene thread, VHS cassette
7 x 4.25 x 1.25 inches
Photo by Paul Litherland

Cousins II, 2024
11/0 glass delica beads, cotton, thread, pine wood frame
12 x 16 x 2 inches
Photo by Rik Sferra

Gotta Catch ‘Em, 2025
11/0 delica beads, original N64 game cartridge, thermally-fused/braided polyethylene thread
8.5 x 5 x 1.25 inches
Photo by Paul Litherland

NDN Hustle, 2025
11/0 Japanese glass cylinder beads, thermally-fused/braided polyethylene thread, maple wood
12 x 12 inches
Photo by Rik Sferra

Nico Williams
NDN Hustle, 2025
11/0 Japanese glass cylinder beads, thermally-fused/braided polyethylene thread, maple wood
12 x 12 inches
Photo by Rik Sferra

a pair of socks: o’dehmin, 2025
worn socks, glass seed beads,
French steel cut beads
approx. 11 x 7 inches
Collection Nico Williams

NDN Status Cards, 2025
11/0 Japanese glass cylinders,
Good Energy, wallet, thread
each card: approx. 3.13 x 1.88 inches
Collection Audie Murray
Photo by Rik Sferra