In a photographic practice that blends fine art and editorial aesthetics, Cara Romero (Chemehuevi Indian Tribe) engages studies around representation from her personal perspective as a Native woman to expose the fissures and fusions of Indigenous and non-Indigenous cultural memory, collective history, and lived experiences.
Romero has held solo exhibitions in the US, UK, and Germany. Her recent group exhibitions include Our Selves: Photographs by Women Photographers at the Museum of Modern Art and Water Memories at the Metropolitan Museum of Art (2022). Her public art projects include #TONGVALAND presented in Los Angeles by NDN Collective (2021); Restoration: Now or Never with Save Art Space in London (2020), and Desert X in the Coachella Valley (2019). Widely collected, Romero’s photographs are in private and public collections including those at the Denver Art Museum, the Peabody Essex Museum, the Minneapolis Institute of Art, the Museum of Modern Art, the Nelson-Atkins Museum of Art, Los Angeles County Museum of Art, and the Smithsonian’s National Museum of the American Indian.
Romero was raised between the rural Chemehuevi reservation in California’s Mojave Desert and the urban sprawl of Houston. She is based in Sante Fe.